Denton, a young easterner, arrives in the gold-fields, looks about for a "find" and a partner. Entering a saloon, he partakes of some refreshment, watches the patrons of the place and studies their characters, while thus engaged a young miner, named Harper, somewhat prejudiced against easterners, engages in a quarrel with a Mexican who is about to plunge a knife into the miner when Denton seizes his wrist and wrenches the weapon from his grasp. Harper thanks Denton, and after learning the eastern man's desire to find a prospecting partner, Denton loins forces with him and they start in to work a lead and strike paying dirt.
A beautiful young girl is being forced to marry a crooked real-estate agent by making the girl's brother appear to be a thief. Cowboy Nat Sherwood discovers what's going on and sets out to expose the plot.
A stop-motion parody of the Western genre.
Betty Boop's Swing Band (sans musicians) visits an Indian reservation where Betty teaches the braves the true meaning of 'rhythm.'
Maw and Paw Monkey throw their boy out of the house after a long night of drinking. When he hitches a ride on a freight train to parts unknown, he arrives in a Wild West town full of gunslingers, giant police dogs, and steeds--billy goats--for the riding, as an unpaid tab leads to a rootin' tootin' chase from the town sheriff.
Steve Beaumont, an operative for the Cattleman's Protective Association, is assigned the difficult task of breaking up a murderous gang of rustlers led by Ed Brock and Strang. He takes Sheriff Webb, Judge Baxter, and rancher Ann Houston into his confidence, and works his way into the rustler stronghold and confidence by "turning rustler" himself.
Luke McVane (William S. Hart) shoots a card-cheat in self-defense and has to make a run for it before the town lynch him.
Bart, a gunslinger, dominates the territory. Then Willy wanders into town and falls in love with a prostitute named Rose. Bart chases Willy out of town but he returns with a group of men and shoot it out with Bart and his gang.
The short tells the story of a drunkard going through alcohol withdrawal, as personified by the Devil. Director Bob Stenhouse takes what could be a dark subject and makes it a funny madcap romp.
Seeking his brother’s murderer, cowboy Jack Gray and his sidekick Lopez sign on for work at a horse ranch where the foreman is up to no good.
A young girl inherits half of the Lost Camp Mine when her father dies. His partner tries to help her from being cheated out of her share of the mine, first by local crooks and then by a group of her greedy relatives back East.
When ZACH KING and ANA discover a magical hat with the power to teleport them to the past, they soon find themselves separated and facing off with Wild West outlaw MAD-HAT MILTON - who'd do anything to get his hat back. Will they make it back to the future unscathed?
A rodeo rider finds himself accused of the murder of a U.S. marshal.
A frantic child reports to the tribal chief that her father killed her mother. The tribe chases and captures the man, dragging him back for tribal justice.
Sylvia Mason, a mysterious girl, lives in a cabin by herself and sells her bead work to the visitors at a large hotel nearby. At the hotel, Sylvia meets Easterner Henry Hilliard, who falls in love with her, but she refuses to marry him and will not explain her reasons. Thus Henry returns East without learning that Sylvia's father had been murdered by his private secretary Jack Leslie in revenge for her refusal to marry him. One night after Henry's departure, Leslie, now known as the outlaw "The Shadow", breaks into Sylvia's cabin. There is a struggle that leaves Sylvia unconscious, and when she awakens she finds a note claiming that because Leslie has violated her, she must marry him.
A former bandit goes back to his old ways to hunt his brother's killer after he was killed in cold blood, and after twelve years, he is eventually located.
Chad Rainey, a young boy from Ohio looses his mother to Cholera. On his way west on a wagon train he elopes into the wilderness where he meets and fall in love with an Indian girl.
Trail of the Spider transposes Western genre motifs and the suppressed racial history of the American west (where one in three cowboys were black or Mexican) onto the transforming landscape of East London. Questioning and re-imagining the Western’s portrayal of the “Vanishing Frontier” , the film extends the metaphor to the material and psychological conditions of a present day city increasingly dominated by volatile financial speculations and private interests.
A ne'er-do-well cowboy named Phil defeats a bandit and wins the love of a minister's daughter.
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