Ten year-old Anthony has red hair, as did Antonio Vivaldi. For his birthday, his grandfather gives him a book. He would have preferred a video game, but what can you expect from a grandfather who spends his time building violins in his workshop? But this is a magic book! When you draw in it, it plays the Four Seasons: it’s an activity book, a herbarium, a sketchbook... The orchestra playing the music is inside the book, on the other side of each page... drawings come to life and join the orchestra in an imaginary space. The book accompanies Anthony throughout the seasons until his eleventh birthday.
Every day is boring and the same to Amy, even her birthday. All the evidence her family puts forth that each day is different she rebuts with well-thought out responses of sameness. She is supposed to visit her Aunt Lucy to pick up her present from her, and instead meets weird characters who insist that her aunt has a beagle named Charlie and that she has turned into a butterfly. Eventually she encounters fairytale folk who thought their lives were normal before the events in their stories occurred.
Frank Sinatra: In Concert at the Royal Festival Hall was an CBS musical television special starring Frank Sinatra broadcast on February 4, 1971, of a concert given by Sinatra at London's Royal Festival Hall on November 16, 1970. The special was directed by Bill Miller, and produced by Harold Davison. Sinatra was introduced on stage by Grace Kelly. Kelly had starred alongside Sinatra in the 1956 film High Society, the last film she made before her marriage to Rainier III, Prince of Monaco. Sinatra had been follicularly challenged for many years, hence all the hats in publicity stills, album covers etc. TV directors were forbidden to photograph him from the back because of this. However, at this concert, Sinatra had completed a very successful hair transplant and deliberately turned his back on the main audience a couple of times to acknowledge the audience sitting backstage, along with running his hand over the back of his head to draw attention to his new coiffure.
Vered, an attractive blind singer, meets and is befriended by three students. The trio decides to save enough money for the surgery which may restore Vered's sight. After many attempts, two of them commit petty theft and are sent to prison. The third takes Vered to the surgery which is successful. Although Vered regains her sight, she loses her friends...
Hanuma is engaged to struggling musician Mahrous. She meets film producer Khaled, who decides to take her to fame. She forgets her people and she's torn between following her desires or returning to the right path.
The guardian is engaged to a girl from a good family, but the intervention of a gypsy will make his heart lean. This one comes in fact to take revenge and will try to kill him.
The servant Josef enters the seemingly peaceful household of the psychiatrist Jaroslav and his wife Žofie, a great lover of the theatre. He is supposed to serve the purpose of increasing the prestige of the family, but he is the true source of confusion and senseless actions. The household becomes a real madhouse. Friend Arthur advises how to get rid of the servant. He will have to be persuaded that Madame Sophie is a psychiatric case. But as we watch this mess, the question gradually arises - who is the madman here?
The Musical adaptation of Emily Bronte's Classic novel "Wuthering Heights". When his childhood love abandons him for a man of higher social rank, Heathcliff seeks vengeance.
TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.
Such Hawks Such Hounds explores the music and musicians of the American hard rock underground circa 1970-2007, focusing on the psychedelic and '70s proto-metal-derived styles that have in recent years formed a rich body of unclassifiable sounds.
Black Eyed Peas, Derek Hough, Hayley Erbert, Fortune Feimster, Jason Biggs, Jenny Mollen, Julianne Hough, Kal Penn, The Muppets, NE-YO, Raven Symoné and Retta perform classic Schoolhouse Rock! hits.
Micah McCaw plays his release The First Family, where Adam, Eve, Abel, and Cain reckon with their lives and struggle with their faith.
The cinematographic illustration of fifteen cheerful, tender or ferocious songs that made the success of the songwriter of the comedian Noël-Noël. After "Les casses pieds", "La vie chantée" stages several sketches of daily life where everyone can recognize themselves and laugh about it.
A fast-talking salesman is "kidnapped" by a town, which intends to use him in its annual race with a rival community.
In this sequel to The Jolson Story, we pick up the singer's career just as he has returned to the stage after a premature retirement. But his wife has left him and the appeal of the spotlight isn't what it used to be. This time Jolson trades in the stage for life in the fast lane: women, horses, travel. It takes the death of Moma Yoelson and World War II to bring Jolson back to earth - and to the stage. Once again teamed with manager Steve Martin, Jolson travels the world entertaining troops everywhere from Alaska to Africa. When he finally collapses from exhaustion it takes young, pretty nurse Ellen Clark to show him there's more to life than "just rushing around".
How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
In the three years since her seminal album "A Seat at the Table", Solange has broadened her artistic reach, expanding her work to museum installations, unconventional live performances, and striking videos. With her fourth album, "When I Get Home", the singer continues to push her vision forward with an exploration of roots and their lifelong influence. In Solange's case, that's the culturally rich Houston of her childhood. Some will know these references - candy paint, the late legend DJ Screw - via the city's mid-aughts hip-hop explosion, but through Solange's lens, these same touchstones are elevated to high art.
Palo Santo, a city on a distant planet, on which human beings are a rare commodity, worshipped and idolized by an android society. Olly, along with the final humans, is recruited to perform in a series of bizarre erotic cabarets, for an artificial master known only as The Showman.
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